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![]() Alistair Grant Wooden Gods 1968 Print etching with Aquatint $250.00 Time Remaining: 2h 15m |
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![]() Antique Orig Max Pollack Aquatint Etching Bells of Tsin Tsun Tsan Mexico $38.51 (4 Bids) Time Remaining: 4d 2h 9m |
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![]() Anne Walker HEDGEROW 28 30 Original Aquatint Etching $195.00 Time Remaining: 1d 4h 15m |
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![]() JOHNNY FRIEDLAENDER Avant la Pluie Rare Original 1981 Aquatint Etching $795.00 Time Remaining: 1d 4h 15m |
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![]() MARTIN WARE Plant on a Cloth orig aquatint etching $250.00 Time Remaining: 1d 4h 16m |
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![]() MARTIN WARE Plant on a Blue Mat orig aquatint etching $250.00 Time Remaining: 1d 4h 16m |
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![]() Tequila Lotto Original Ltd Ed Aquatint Etching PRINT M $48.56 Time Remaining: 2d 21h 13m |
![]() MARTIN WARE Plant in a Bowl orig aquatint etching $250.00 Time Remaining: 1d 4h 15m |
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![]() JOHNNY FRIEDLAENDER Point du Jour 1961 Rare Orig 9 color Aquatint Etching $975.00 Time Remaining: 1d 4h 16m |
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![]() Original Antique Max Pollak Colored Aquatint Etching Guatemala Fountain $61.00 (8 Bids) Time Remaining: 4d 2h 3m |
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![]() Albert Sterner Original Pencil Signed Aquatint Etching Sisters 1933 $110.00 Time Remaining: 4d 3h 35m |
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![]() Earl Horteroriginal aquatint etchingBookshop1933pencil signed $36.99 Time Remaining: 5d 14h 12m Buy It Now for only: $40.99 |
![]() PABLO PICASSO 1881 1973 ETCHING AQUATINT TITLED LE FAUNE SIGNED IN PENCIL $6,000.00 Time Remaining: 28d 2h 14m Buy It Now for only: $6,000.00 |
![]() Antique Original Max Pollak Aquatint Colored Etching of Israel Street Sidewalk $99.00 (9 Bids) Time Remaining: 4d 1h 59m |
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![]() Julian Trevelyan Ankole Cattle Aquatint Etching 1967 $675.00 Time Remaining: 5d 3h 50m |
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![]() COLOR AQUATINT ETCHING SIGNED FRED LEVE 1877 1968 FRENCH LANDSCAPE $29.50 Time Remaining: 4d 7h 53m |
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![]() KAIKO MOTI ORIGINAL ETCHING W AQUATINT BIRDS OF PREY PENCIL SIGNED 1969 $799.00 Time Remaining: 1d 22h 54m |
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![]() Framed Floral Etching $10.00 Time Remaining: 2d 15h 5m |
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![]() Paul Aust 1866 1934 Snow Scene Etching with Aquatint $99.00 Time Remaining: 28d 16h 16m Buy It Now for only: $99.00 |
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![]() GRACIELA RODO BOULANGER POLO Original Color Aquatint Etching 7 150 COA 1976 $850.00 Time Remaining: 4d 20h 17m |
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![]() ORIGINAL VINTAGE SIGNED AQUATINT ETCHING AVANTGARDE COMPOSITION $49.99 Time Remaining: 4d 1h 26m |
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![]() MARIO AVATI A PROPOS DE NICE Etching Aquatint S N $299.00 Time Remaining: 5d 17h 18m |
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![]() Donald JUDD Orig Aquatint Parallelogram 9 Signed $2,995.00 Time Remaining: 27d 1h 15m Buy It Now for only: $2,995.00 |
![]() Early Susan P Moffett Art Artist Proof Aquatint Etching 1974 $69.99 Time Remaining: 6d 20h 19m Buy It Now for only: $129.99 |
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![]() Color Etching Aquatint of Beach in Brittany France 20 500 by Marty $39.99 Time Remaining: 5d 16h 41m |
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![]() FERRARI Etching HEIDELBERG The Old Bridge in Winter SIGNED $6.00 Time Remaining: 3d 23h 47m |
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![]() FERRARI Etching HEIDELBERG The Old Bridge in Summer SIGNED $6.00 Time Remaining: 3d 23h 48m |
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![]() FERRARI Etching HEIDELBERG Marstall with Castle SIGNED $6.00 Time Remaining: 3d 23h 49m |
Etching Aquatint

Aquatint Etching Using Litho Pencil
This article is directed mainly toward artists who have knowledge of the basic printmaking process. Those who have worked with line etching may wish to know more about aquatint, a process that allows for the creation of tones in the printmaking process. A copper or zinc plate is finely dusted with powdered rosin. The rosin is heated until it fuses with the plate. This is noted by a change in the rosin's color, from yellow to a dark tan. Caution should be exercised as not to overheat areas, which could cause unevenness in the final etch. Any areas can then be blocked out with varnish and then the plate is immersed in acid. The etches are timed in order to create varying tones or values.
In my art, I sometimes enjoy creating drawing effects with my tones. Here are some advanced aquatint processes that you may wish to try. We'll start with the litho pencil or crayon used as stop-out. You prepare your plate like you were going to do an aquatint. After melted rosin is cooled on the surface of the plate, you draw on its surface with a litho pencil. The softer pencils work better, because harder ones may scratch your surface. You approach the drawing as though you were creating values on paper, except your drawing will resemble a negative of the final image. Where your crayon is the thickest (or darkest), it will etch lighter, due to the masking effect of your crayon. When selecting a crayon, you will need to use a non water soluble one or you can also use a china marker, instead. By using varying thicknesses of your marks, you can develop a nice range of gradual values, avoiding the abrupt transitions created by varnish. When the drawing is ready, just dip in the acid. You may have to do some test etches to adjust for the best time.
Ralph Slatton, Professor/ art and design/ printmaking
East Tennessee State UniversityContact:
http://www.etsu.edu/cas/art/study/printmaking.aspx
About the Author
Ralph Slatton is Professor in charge of Printmaking at ETSU, Department of Art and Design. He began his position in 1990 and presently teaches drawing fundamentals, intro to prints, intaglio, lithography, silkscreen, and relief. He has also held the position of Department Chair from 1999 to 2004. His degrees are BFA (1982) and MA (1986) degrees from Arkansas State University and the MFA (1990) from University of Iowa. A selected list of recent shows include: "Society of American Artists Exhibition," Ormond Memorial Art Museum and Gardens, Ormond Beach, Florida (members exhibition)2008; "Naestved International Mini Print Exhibition," Ronnebaeksholm Arts and Culture Centre Naestved, Denmark. (group exhibition)2008; "Mind Creatures," Mabee Art Gallery, Culver Stockton College, Canton, MO. (solo)'2008. Ino-cho Paper Museum, Kochi-shi, Japan, Taipei Fine Art Museum, Taipei, Taiwan, R.O.C., Taiwan Museum of Art, Taichung, Taiwan, R.O.C., Some of his works were published in Best of Printmaking '97, Rockford Publishers.
graphic reproduction process?
i have to do a presentation on salvador dali. I need to know what the graphic reproduction process is. and what types of graphic reproduction did dali use. (example: woodcut, lithograph, etching, aquatint, serigraphy)
Salvador Dali was an artist, but a very eclectic one. He used anything at all to achieve his art. Graphic reproduction is simply a technique that lets you reproduce things. An artist creates something - that's an original. Then the artist may reproduce it and sell the reproductions, or someone else may reproduce it and sell the reproductions. Dali didn't do much in the line of reproductions -- he and his works were all originals, and some of them were pretty far out. Like his famous moustaches....
Printmaking Processes: Intaglio




































































































