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Painting Vivid
Indian Art Paintings
India's art culture has it's roots in thousands of years of evolution; the hugely varied cultures, ethnic groups, languages and religions from all over India have created what is now one of the most diverse and unique collections of paintings and styles of paintings of any nation on earth.
Here are just a handful of the thousands of different Indian art paintings styles from around the country.
Madhubani Paintings
Otherwise known as Mithila art, Madhuban paintings come from the region of Mithila in India and originated in a small town. Origionally the madhuban Indian art paintings where painted onto the side of the mud huts of the women artists but the now the term is used to represent a whole range of art in a similar style done on canvas, linen and paper. The materials used for the paintings where all completely natural and usually consisted of plant extract taken from the local environment. The paintings themselves often represent various symbols, most notably symbols of fertility, love and prosperity and are painted on a large scale in a brightly coloured 3D images.
Mughal paintings
perhaps some of the most famous of all of the art in India is the paintings dating to the Mughal era in India, around the 17th century when the people known as the Mughals controlled huge swathes of the land. The period also brought with it a vast revolution of architecture in India. The style itself is now most commonly known as miniature paintings and the art from has a strong following especially in the desert regions of India like Rajasthan and Akbar.
Phad paintings
Again originating from the wonderful land of kings, Rajasthan, Phad paintings are traditionally done on linen and is no where near a dying art form with artists and studios keeping the form alive to this day. The main content of this fantasticaly bright and vivid form of Indian art paintings is usually that of gods and various scenes from religious scriptures although throughout the ages the art form has been used to represent many famous philosophers, kings and other great leaders.
Kangra Paintings
Again originating in the Mughal era in India is the Kangra paintings, another style of Minature paintings in India but considered by many to be less enticing to the eye. The art form differs from the Mughal miniatures in a sense that the colours are less vivid and the scene usually less complicated. In my mind however the images depicted are no less beautiful. The artists who paint these kangra images use a very natural style with calming colours and relaxing images.
These four different styles of Indian paintings are some of the more well known art forms in India but as I previously mentioned but there are actually hundreds, and that's just the paintings, Indian art is a whole world waiting to be discovered!
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Is there any way to tone down paint?
After painting and giving it some time to "grow" on me, well it hasn't! I really like the color BUT it is too vivid. Is there a product that I can use to paint over it to tone it down or something I can put in the paint itself to get the same result? Thanks.
Yes, there are a couple of things you can do. The first person mentioned sponging over your vivid color, and that is an option. Tho I believe you would get more satisfactory results from "sponging off", rather than "sponging on" [see more below].
"Glazing Liquid" [may come by different name from different companies] is a product used for Decorative Painting/Faux Finishing: It comes in oil or water-based, is used in a number of ways to create faux finishes, one can tint it.
You can use Glazing Liquid by itself, over a base coat - to dull, or tone down your vivid color. Most quality brands specify that their product can be used as a topcoat [but read the label to be sure]. You might try this application first, and see if it tones down your color enuf to suit you.
[I wish you had said what color you're working with, but]
To mix a colored glaze, you simply add a small amount of paint to the glaze. Again, the manufacturer will recommend approximate proportions; and may also call for addition of paint thinner or water [depending, of course, on whether you're using latex or oil paint]. Your Glaze, then, can either be used as a topcoat [above], or to "Sponge On" or "Sponge Off".
You will get different effects depending on whether your glaze is a lighter or darker hue than your existing base coat; [and, of course, different results if your Glaze is an entirely different color]. And different effects depending on what you use - sponge, chamois, cheesecloth, etc.
I suggest mixing your Glaze out of your existing base coat color: mix either a small amount of black oR white paint, with your existing color and with the Glazing Liquid. This will insure that you stay in the same color range, for safety's sake. Toning up [white] or toning down [black], will still result in toning down your existing color.
"Sponging/Ragging On": Use Sea Sponge [NoT a household one].
This might be considered easier than Sponging Off, but I think you'll get better results from the "off" method. For this "on" application, you simply apply your mixed Glaze - with a sea sponge, or rag [genuine chamois best] - over your base coat, in a random/overall/overlapping method.
"Sponging/Ragging Off": You apply the Glaze to the wall to a small section of wall at a time [keep a wet edge]. Then you take your sponge or chamois and remove Glaze in a random/overall/overlapping method. I "roll" the chamois from the bottom of the wall to the top; then start again at the bottom, overlapping the first roll.
This may sound complicated if one hasn't done it before, but it's really very easy - and quite FuN! A world of possibilities. The mistake I see most often, is being able to see the actual "on"/"off" delienations: not good. So I stress the random/overall/overlapping significance: I describe it as, uniform un-uniformity. [Step back away from your work every now and again, and look at it from a distance.]
Good Luck ~ YoU can do it!
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