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Signed Woodcut

English Crop Circles – The History From 1115 AD
My name is Paul Hussey and I was born in Portsmouth, England in 1961, the same day as my older brother but a year later. As a fan of English History I thought readers may be interested in the history of English Crop Circles. Excuding some of the Modern day hoaxes many of the modern day Crop Circles have been seen to form below a bright light. One of the earliest writings on Crop Circles was In 1115 A.D., the Bishop of Winchester wrote of corn flattened by 'magical storms'.
One late summer's day in 1678, an English farmer and a poor mower were arguing over the cost of harvesting the farmer's oat field. Incensed at the mower's proposed price, the farmer swore that the Devil himself should harvest the crop and stomped off. That night, a strange, bright glow lit up the field and, the next morning, the farmer returned to find round circles where the crop had been 'neatly mowed by the Devil, or some infernal spirit'. Each crop stalk had apparently been placed with such 'exactness that it would have taken above an age for any man to perform what he did in that one night'. The event frightened the farmer enough that he subsequently decided to abandon any attempt at harvesting the strange circle.
This description from a woodcut known as the "Mowing Devil or 'Strange News out of Hartford-shire'" is now widely regarding as the first explicit report of a crop circle. Similar accounts have 'cropped up' throughout history leading credence to theories that the crop circle phenomenon is much more than a modern-day fad. While crop circles can occur in any weather, original theories on crop circle formation relate to swirling vortices of ionised air or some other type of natural process similar to ball lighting. Several scientific journals of the nineteenth-century also include references to storms and flattened circles. Another account from 1871 near Plummer's Hill, in High Wycombe, Bucks, describes two disc-shaped objects with flashing lights hovering over a site where the very next day a circle of bent, flattened grasses was discovered.
Tales of unusual light beams, even UFO's, are commonplace around crop circles. While some of these strange lights have been captured on film, perhaps more intriguing are the many oral accounts of crop circle activity from the days before airplanes or secret military technology. Between 1900 and 1910, one woman recalled having seen circles on her grandfather's land near Tilshead, Salisbury Plain. The wheat was apparently 'flattened so firmly that it could not lifted without springing back down.' Some crop circle researchers (know as 'cereologists' after the Roman goddess of agriculture, Ceres) have even wondered if the famous Salisbury Plain megalith, Stonehenge, was itself built to commemorate the spot where a crop circle once formed.
The area certainly has had its fair share of crop circles in recent years. In 1996, the 'Julia Set', a staggering 915 foot long formation with 151 circles, appeared near Stonehenge in broad daylight and within a forty-five minute period. No one had noticed a thing but when news of the miraculous crop circle broke, it attracted over ten thousand visitors within the following weeks.
So what exactly are these crop circles and why are they now such a prominent feature of the English countryside? No one really knows but enough research, however, has been carried out over the last two decades to establish these enigmatic patterns as one of the most awesomeÑand tangibleÑmysteries of our time. Crop circles, also know as agriglyphs and pictograms, have been reported in virtually every country around the globe and in all types of fields, in fact, similar, unexplained patterns have occurred in snow, ice, gravel and even Japanese rice paddies. Since the early 1980's over ten thousand crop circles have been documented with the vast majority appearing in England. The 'hot spot' of crop circle activity happens to be Wiltshire, perhaps because it is the home of ancient sacred sites and mystical monuments such as Stonehenge and Avebury. During the warm summer months, researchers, enthusiasts, even the military, have gathered in the fields of this southern English county to study the intricate and mesmerizing designs of the crop circles. The formations now happen so frequently that special tour buses headed towards the latest crop circle have become a regular sight on the narrow, winding roads of Wiltshire hills.
Researchers are still baffled by what causes crop circle formations. While skeptics try to dismiss them as elaborate hoaxes, crop circles do exhibit a number of unusual characteristics. For one, they are often not simple circles but beautiful geometric patterns. These include crescent shapes, abstract designs, insect forms, vortex swirls like those in seashells or galaxies. Some represent complex examples of fractals, even mathematical theorems. In 1994, a 'Mayan lunar calendar design' appeared near the ancient Avebury stone circle. Its gradually changing circles were eerily reminiscent of the phases of our moon. In July of 2004, an exquisite 'Chakra' formation occurred in the Vale of Pewsey directly beneath one of the area's chalk White Horses.
Dowsers, and people particularly sensitive to the earth's energy levels, often detect unusual readings within crop circles. The patterns seem to fall on or near invisible energy pathways, or known 'ley lines' across the country. Interestingly, animals will sometimes avoid crop circles while flocks of birds purposely split up rather than fly directly over a formation. The plants stalks within crop circles are not trampled or crushed, a telltale characteristic of many man-made glyphs, but simply bent, leaving the plant undamaged. Microscopic analysis reveals that the plant's crystalline structure has been altered. One possible explanation seems to be some sort of intense burst of heat. What causes it, and whether the source is terrestrial or extra-terrestrial remains to be seen. Coincidentally, the few eyewitness accounts of crop circle formations that do exist describe a large 'ball of fire' lasting for only a few minutes. By morning, a crop circle has occurred in the exact same location. Shades of the 'Mowing Devil' brought up to the present day? Perhaps. One thing is certain... the mystery of the crop circles continues.
I believe that Crop Circles are 80% fraud and 20% real unknown natural causes – unless the reader knows differently.
Please visit my Funny Animal Art Prints Collection @ http://www.fabprints.com
My other website is called Directory of British Icons: http://fabprints.webs.com
The Chinese call Britain 'The Island of Hero's' which I think sums up what we British are all about. We British are inquisitive and competitive and are always looking over the horizon to the next adventure and discovery.
Copyright © 2010 Paul Hussey. All Rights Reserved.
About the Author
My family tree has been traced back to the early Kings of England from the 7th Century AD. I am also a direct descendent of Sir Christopher Wren which has given me an interest in English History which is great fun to research.
I have recently decided to write articles on my favourite subjects: English Sports, English History, English Icons, English Discoveries and English Inventions. At present I have written over 100 articles which I call "An Englishman's Favourite Bits Of England" in various Volumes. Please visit my fun Blogs page http://Bloggs.Resourcez.Com where I have listed all my fun articles to date.
Copyright © 2010 Paul Hussey. All Rights Reserved.
more about the artist sylvia walters solachek please?
I have two woodcuts signed by solachek and wonder if this is the same artist?
One is entitled Black Flora 1966 and the other just has a date of 1968.
From the Wisconsin Academy of Sciences, Art and Letters. You may want to contact the director for more information about Sylvia Walters Solachek...
James Watrous and Friends:
The Legacy and Influence of James Watrous
November 12, 2004–January 9, 2005
Opening reception with talk by Art Hove
Sunday, November 14, 1–4 p.m.
A tribute to James Watrous, one of the most influential figures in Wisconsin visual art. Watrous taught art history and art at UW–Madison from 1934 to 1976, where he helped shape the departments of art history and art and mentored many students who went on to great accomplishments. Through art work, photographs, and text, this exhibit brings to life Watrous’ many roles and his legacy. Artists shown include Nancy Eckholm Burkert, Robert Burkert, Robert Grilley, Doug Safranek, Sylvia Fine, Dan O’Neill, John Wickenberg, and Sylvia Walters Solachek.
Related Presentation
Tuesday, November 16, 7-9 p.m.
Academy Evening featuring Millard Rogers, a close colleague of James Watrous and the first director of the Elvehjem Museum.
Madeline Sorel Making a Woodcut Print




































































































